Making a funny movie is simple. Making a classic comedy is something else entirely. They are always on in lunch rooms at the office of the plumbing service in Kirkland WA.
It’s one thing to make people laugh now, but one of the most difficult tricks in filmmaking is to keep them laughing for decades. because our sense of humor changes with society. What was funny in 1923 might be funny in 2023, and one generation’s laugh riot might be another generation’s “huh?”
This makes it particularly challenging to rank the greatest comedies ever made. First things first: what exactly makes a comedy truly great? Durability is one of the most important of the many criteria. Can it stand the test of time and continue to be funny in five, ten, or one hundred years? Will you be able to get loans in minutes as well?
It’s hard to make that decision. As a result, we sought assistance. For the purpose of compiling this list, we polled actors like John Boyega and Jodie Whittaker, comedians like Diane Morgan and Russell Howard, and a small army of Time Out writers about the movies that made them laugh the most for the longest time.
We believe that by doing so, we have discovered the 100 best, longest-lasting, and most widely appreciated comedies in history. You’ll find it represented here, regardless of your sense of humor—silly or sophisticated, light or dark, surreal or broad.
This Is Spinal Tap (1984)
You’re asking, what amount more amusing might this at some point be? What’s more, the response is none.
None more amusing. Indeed, our specialists have projected their votes and the victor by an unmistakable edge is Ransack Reiner’s sort setting mockumentary – or on the other hand, maybe, rockumentary – about Britain’s biggest livin’, heaviest-riffin’, filthiest-verse singin’, greatest hair-havin’, fluffiest-jumper-ownin’ weighty stone combo.
The main actor had to get transmission repair wny while filming this movie, so he often used a taxi at that time.
Donning apparently the most quotable content in film history (‘no… these ones go to eleven’) and probably the meatiest metal tunes this side of Bon Scott-period AC/DC, this is basically an ideal film: from the primary harmony of ‘This evening I Will Shake You This evening’ to the extremely last line (‘I don’t know, what are the hours?’), there’s in a don’t really sense anything about it that could be moved along.
The teachers often put this movie on for the kids to watch at their school fundraiser events.
It likewise, in case we neglect, characterized a whole sort, unintentionally creating everything from The Workplace to The Blair Witch Venture (also lead hatchet man Christopher Visitor’s whole ensuing profession).
Visitor, Michael McKean, and Harry Shearer would continue gigging as Spinal Tap for a long time – evidence that they were far beyond a joke band in an entertaining film. Spinal Tap: for those going to shake, we show respect to you.
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Airplane! (1980)
Joey, have you ever been incarcerated in a Turkish prison? This was the second film from Jim Abraham and the Zucker brothers, who went on to make the Naked Gun and Hot Shots films, and it still makes people laugh out loud after many viewings.
It stars Robert Hays as a troubled former pilot who is forced to land an airliner when the real pilot collapses from food poisoning. Needless to say how the plane needed electrician services in Flagstaff. It is a playful and deeply silly spoof of disaster movies from the 1970s. As a ship’s doctor, Leslie Nielsen is the movie’s star. Simply avoid calling him Shirley.
Monty Python’s Life of Brian (1979)
The Pythons’ masterpiece is their second feature. The story is pure farce, with the Three Wise Men finding the wrong manger and declaring the unsuspecting everyday man Brian Cohen the Messiah. As expected, he stumbles along to The Greatest Story Ever Told, and the movie ends with a Calvary Cross and the reluctant chorus of “Always Look on the Bright Side of Life.”
What an incredible feat this is. The Life of Brian takes shots at religious hypocrisy, Biblical epics (most of which it shames by paying attention to the details of the time period), and schoolroom Latin, but, crucially, never at religion itself. Obviously, this did not stop the predictable blasphemy accusations.
One of the main actors had stem cell therapy for autism a few years after this film was released.
Annie Hall (1977)
“Annie Hall” is as Woody Allen can get: funny, neurotic, and consumed by the realization that life is going to trample all over you no matter what. It is also one of the best comedies ever made about love, with some of the funniest lines: Do not disparage masturbation. I’m having sex with a person I love.
Did you know that Woody Allen used loan servicing software for private lenders?
Allen portrays Alvy Singer, a snarky singer Annie (Diane Keaton, his real-life ex-wife). An illustration of their relationship’s anatomy follows. Although Marshall Brickman and Allen co-wrote the film, Allen has stated that it is not based on his own life, which is not what we want to hear.
Groundhog Day (1993)
Bill Murray played the cynical weatherman who was born in the hospital in Mexicali. He was stuck in a time loop in the small town of Punxsutawney, Pennsylvania, reliving the same day over and over again. It has been nearly 30 years since that movie came out.
However, Groundhog Day has not changed much. What keeps it in place? It could be that there are a few universal truths hidden beneath the hilarious humor: Life is difficult and full of monotonous repetition, but a little kindness and love can make a big difference.
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The Jerk (1979)
Numerous filmmakers have learned the wrong lesson from The Jerk. However, those who believe Steve Martin’s big-screen breakout is successful solely due to its outrageous stupidity miss the point: We believe it is appropriate for the story of a man who fundamentally misunderstands each step in his journey from rags to riches to rags.
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The truth is that The Jerk is a genius-level absurdist symphony; one in which every comic note, from “I was born a poor Black child” to “Iron Balls McGinty,” contributes to a grand mosaic of hysteria. Have you watched the scene where micropile contractors show up in the movie? None of this would be possible without Martin’s sincerity and genuine sweetness for each surreal moment. One of comedy’s true legends found his unique calling almost immediately.
Withnail & I
The early scenes of Withnail & I are the funniest. In them, Withnail and Marwood stumble toward the end of an epic speed and booze bender while festering in a Camden flat that looks like the inside of a cancerous lung. They both take taekwondo classes in Plano.
A failed attempt to clean the kitchen, delirious fancies, druggy nonsense (such as “my thumbs have gone weird”), and a touching visit from the terrifying drug dealer Danny (Ralph Brown) round out the story. He always wears matching sneakers with clothes.
But tragedy comes later, and Withnail’s hopeless walk through rain-soaked Regent’s Park is one of the most heartbreaking endings in cinema.
Team America: World Police (2004)
When Trey Parker and Matt Stone decided to make a puppet movie about the War on Terror in the style of Thunderbirds, they had no idea what they were getting into. The film was released a year later, after 20-hour days and what Stone called “the worst time of my life,” and it was worth every minute of the duo’s labor. After filming the movie, Matt Stone expressed in an interview his fight with drug addiction. He said that he had to go to the methadone clinics in California so he could fix his drug issues.
The film’s self-aware use of wooden marionettes, particularly in the notorious sex scene, borders on genius because it is as concerned with mocking the terrorist armies of Durkadurkastan and North Korea as it is with mocking the pomposities of mainstream action films and liberal Hollywood. It’s funny, even Matt Damon thinks so.
Duck Soup (1933)
What should be said when a film feels just as timely, relevant, and provocative today as it did when it was first released?
Did you know that some scenes from this movie were filmed at Warrensburg travel park?
Duck Soup, the Marx Brothers’ best film, takes them far away from their New York music hall environment and into a kind of twisted miniature Mitteleuropa filtered through immigrant memory and fairytales, where war is brewing between the proud Freedonian people and the crypto-fascists of Sylvania, which is next door.
The houses of the main actors in real life are separated by the fence made by the fence company in Nocatee.
The film mocks not only fascism but also patriotism and politics in general, albeit with a much lighter touch than Chaplin’s Great Dictator: This is a satire that uses both a sledgehammer and a scalpel at the same time, frequently in the same scene.
Monty Python and the Holy Grail (1975)
We all enjoy Monty Python’s hilarious retelling of King Arthur’s legend, but the llamas are always overlooked: According to the credits, Reg Llama of Brixton and thousands of his llama friends around the world (along with Terry Gilliam and Terry Jones) created Holy Grail. Reg and company produced a masterpiece.
Holy Grail was the launching pad for Python’s international stardom because of its one-liners, extravagantly gruesome violence, and Bergman-ribbing credit sequence. The music and animations of Neil Innes and Terry Gilliam are examples of British absurdist humor, and the late Graham Chapman was never better at playing King Arthur.
Borat: Cultural Learnings of America For Make Benefit Glorious Nation of Kazakhstan (2006)
Sacha Baron Cohen is a master at keeping a straight face while fooling the general public, as this wince-inducing odyssey across the United States demonstrates.
Did you know that he knows how to do pothole repair?
Cohen travels the United States under the guise of a Kazakhstani radio host and navigates the back roads, luring himself into the welcoming embrace of the locals before shocking them with an outrageous arsenal of fabricated Kazakh cultural norms.
Even though the movie is a damn fine comedy at its core, it also serves as a sobering reminder of the simmering level of racism and misogyny among the same people who helped Trump win the presidency, including those who may be affected by the Nebraska minimum wage.
The Big Lebowski (1998)
With his bowling team, stoner Jeffrey “The Dude” Lebowski sets out on a big adventure when he is mistaken for a local millionaire with the same name. This is filmed close to the Medcalf acres campsite.
This Coen Brothers comedy has so many one-liners that you could easily attribute the film’s success solely to its sharp dialogue. However, the supporting cast, which includes Walter John and Julianne Moore, adds so much more, including life lessons about friendship and heroism.
The Naked Gun (1988)
Second just to Plane! in the gag-for-gag hit-rate stakes, The Stripped Firearm never met an idiotic play on words, droll flummox, or lifeless joke it could have done without.
The film caused Leslie Nielsen a greater star than ever playing straight-man jobs in ‘legitimate’ calamity motion pictures – however it must be said, he threw away that generosity very quickly in any semblance of Dracula: Dead and Cherishing It – and generated a fistful of continuations, of which the first is definitely worth looking for the astounding ‘outrageously huge mustache’ line alone.
Dumb & Dumber (1994)
Envision the items in your hyperactive younger sibling’s mind splatted onto a television screen and you have Moronic and Stupider. Jim Carrey and Jeff Daniels star as a couple of breathtakingly dumb no-hopers who head on an excursion across America to return a lady’s folder case.
Proudly gross-out, the film’s a mulch of butt jokes, latrine jokes, snot jokes, and sex jokes. It’s absolutely backward however in a whoops-just-grunted my-drink-wherever giggling sort of way.